id Software slightly stumbles with the essence of Doom with how new enemies work, but The Ancient Gods – Part One remains a substantial, exciting expansion.
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The Last of Us has grounded gameplay and engrossing visuals, but everything involving its narrative go beyond the norm with immense character and heart.
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Doom is like a bicycle with the training wheels taken off. Doom Eternal is like transitioning to a motorcycle—it’s faster, louder, and badass beyond belief.
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Doom is the first-person shooter genre distilled to an essence that’s mixed with and boiled in testosterone and adrenaline, concocting a true power fantasy that’s neither stupid nor childish, but one that invokes a cathartic chaos by assailing the senses.
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Legends are embellished, twisted, and even dishonest about the people they venerate. Netflix’s The Witcher shows how, even still, we need them all the same.
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Hideo Kojima’s Death Stranding is a clarion call for the need of making self-care an intentional practice in a world of ever-increasing workaholism.
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Star Wars: Revenge of the Sith illustrates the danger of moralizing without love and why the best of us can fall so far without it.
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We exhibit glee at the silly mistakes and misfortune of others, but how much is too much? Untitled Goose Game prompts reflection upon our love of mischief.
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Furry characters exist as the stylized versions of their creators’ best selves, who share their love and creativity through fursuiting and conventions.
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Remedy’s newest game, Control, masterfully celebrates both playing video games and those who play them.
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hey there. I'm a professional writer and editor. I've got bylines at push square, tech raptor, and game informer. I love stuff like theology, hot tea, rainy days, dragons, star wars, and bionicle.
I put out articles and videos about videogames and other entertainment media in my spare time. if you enjoy my content, anything you can throw my way would mean the world to me. thanks for stopping by!
