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current reviews.
id Software slightly stumbles with the essence of Doom with how new enemies work, but The Ancient Gods – Part One remains a substantial, exciting expansion.
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The Last of Us has grounded gameplay and engrossing visuals, but everything involving its narrative go beyond the norm with immense character and heart.
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Doom is like a bicycle with the training wheels taken off. Doom Eternal is like transitioning to a motorcycle—it’s faster, louder, and badass beyond belief.
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Doom is the first-person shooter genre distilled to an essence that’s mixed with and boiled in testosterone and adrenaline, concocting a true power fantasy that’s neither stupid nor childish, but one that invokes a cathartic chaos by assailing the senses.
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Year of the Dragon is a wonderful mess; a bona fide example of a developer throwing stuff at the wall, seeing what sticks, and making it work.
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Dark Souls III demonstrates mature, restrained refinement with a deft handling of its systems, design, and controls in a dark world burning out in splender.
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Spyro 2 is a preferred middle ground between the first and third games. It’s not too much, but not too simple. It’s just right.
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The game is like a middle child that sticks out with mixed results. It’s a black sheep, but has qualities worthy of being shepherded into your attention.
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Spyro the Dragon is perfectly suited for kids. That core pillar fosters its greatest strengths and weaknesses.
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The quiet yet heavy intention behind every element of Dark Souls will command—and eventually earn—your respect.
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hey there. I'm a professional writer and editor. I've got bylines at push square, tech raptor, and game informer. I love stuff like theology, hot tea, rainy days, dragons, star wars, and bionicle.
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